![]() Gorgeous softness and beautiful skin tones right out of the gate. When you turn the camera on, the image is immediately pleasing. He says, “I found the new Lo Con Base LUT to be a beautiful way to experience the VENICE 2. It’s like a block of clay that gives colorists a starting point, and they can decide which way to push it – whether that’s to create a film noir look, a rom-com, or space opera,” explains Pines.Ĭinematographer James Whitaker, ASC (Marvel’s Hawkeye, Troop Zero, Patriot) used the new Lo Con Base LUT on a series of commercial projects over the past few months. It is low contrast and doesn’t severely limit the color gamut. ![]() “Compared to a LUT supplied by a camera manufacturer, the Sony Lo Con Base LUT is a kinder, gentler viewing transform that has knowledge of the camera’s codec and color space. This base LUT is designed for DITs and DPs who want to create their own LUT or look development for each project. It offers a low-contrast starting point and has the S-curve built into it. The Lo Con Base LUT is a low-contrast base LUT that’s intended to be modified and graded. ![]() He has worked on color grading on dozens of Academy Award-winning movies, from visual effects shot on film to look development on projects shot with digital cinema cameras.Īmong the new LUTs developed by Pines and Kutcka is Sony’s new Lo Con Base LUT, which was created after gathering user feedback. Pines is Picture Shop’s Chief Color Scientist. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |